This issue contains extraordinary revelations about the nature of Anais Nin's relationships with her husband Hugh Guiler and her lover Rupert Pole in the form of correspondence between the three shortly before and just after Nin's death in 1977. An excerpt from Barbara Kraft's memoir Anais Nin: The Last Days gives a first-hand account of Nin's final illness and how she handled death in her own unique way. Essays about cinema are also highlighted, with an examination of the film Henry and June, and a study of avant-garde filmmaker Maya Deren.